Art guidelines for the uninspired

"Artist friends,When you are feeling hopelessly uninspired (and frustrated/desperate enough about it to post a Facebook status asking for help), how do you fix it? Any and all advice appreciated." -K

I take comfort in the following guidelines when making art for myself. Hopefully they're useful in showing possible paths to making meaningful work for others and pulling the uninspired out of their ruts:

0) Approach art as a form of communication that stirs curiosity and wonder. Curiosity for yourself, or for others--it's up to you.

How? Choose one, some, or all of the following as a start:
1) suffer and/or empathize
2) explore, experiment, play
3) mix all of the above

0) Consider art a form of communication that evokes a deep curiosity—about yourself, about the world around you.
Do you have something to say or convey to the world? Make it so.

“Art ain’t about paint. It ain’t about canvas. It’s about ideas. Too many people died without ever getting their mind out to the world.” — Thornton Dial, SR.

1) Suffer or/and empathize
If you find nothing compelling within your imagination and memory, then expose yourself and empathize with genuine suffering or an injustice that can capture your heart's attention. OR re-imagine something familiar from a different perspective or through a different medium. It might be an analytic endeavor at first, but sometimes those will yield artful discoveries too. In any case, find the contents of a story worth telling/making/re-presenting.

In the sense of finding and creating stories worth sharing, good artful acts of creation can exist in conversation too.

2) Treat creating as an act of play or experimentation--where the process of exploration matters more than the outcome [1], then revisit with intention.

3) Sometimes, you'll mix all of the above, or discover integral themes emerge, or poetic parallels.I may hear a snippet of melody that compels me to experiment. At the same time, I may witness or work on something that galvanizes the idea in time with current events and overarching themes of human endeavor [2]. I then set out to bridge meaning between the two. Sometimes it's an organic blend from the start, others I force together before they melt into one, and sometimes, it's creation without attachment or any explicit meaning necessary.

Angular study in azure--familiar subjects and experimentation.

Compelling outcome? Perhaps not to most.

I did, however, learn that corners of rooms can be

interesting for experiments with image composition.

[1] I really enjoyed hearing Eric Gordon's characterization of play (where process matters more than the outcome) at the IADB's 2014 Demand Solutions summit in DC. Imitating play (whoa, meta!), by playing around with odd notes on a piano? Yes, you can do that too!

[2] Emotive Mechanics started with me pondering experiences in life, and then sitting down to improvise on a tune of mine as my mind processed the ideas (see video description for initial circumstance).

Edit: I recently read Sabina Berman's [most excellent] novel, "Me, Who Dove Into the Heart of the World" and really appreciate the notion of "letting the world think through you." That's exactly what I'd use as the core principle for the above: let the world think through you. That said, I believe my guidelines can remain useful for retroactively thinking about what you've done or getting into a frame of mind that allows creative processing.